The Basic 49 +1 |
Definitive Jazz Library |
Thomas Conrad |
Conrad's comments |
From CD Review |
April 1990 |
Volume VI Number 8 |
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Selections were based on musical permanence, not sound quality. I included only individual recordings (a couple are two-disc albums) and no multi-disc boxed sets. |
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1. Cannonball Adderley |
Somethin' Else |
Blue Note 1958 |
Just a pick up session, but it was definitely somethin' else |
2. Louis Armstrong |
The Hot Fives Volume 1 |
Columbia 1925-6 |
As unignorable a part of history as the Dead Sea Scrolls |
3. Count Basie |
The Essential Count Basie Volume 1 |
Columbia 1939 |
The Basie to start with |
4. Clifford Brown |
Memorial Album |
Blue Note 1953 |
And you thought you'd heard trumpet |
5. Ornette Coleman |
At The Golden Circle Volume 1 |
Blue Note 1965 |
A very warm night in Sweden |
6. John Coltrane |
A Love Supreme |
MCA 1964 |
It's transfixing to be in the presence of this clamorous spiritual aspiring |
7. Miles Davis |
Kind Of Blue |
Columbia 1959 |
The Muse spoke the night they made this transcendent album |
8. Miles Davis |
Sketches Of Spain |
Columbia 1959-60 |
The greatest of the great collaborations with Gil Evans and the orchestra. Davis described it as "like one big guitar" |
9. Eric Dolphy |
At The Five Spot Volume 1 |
Prestige 1961 |
Dolphy and Booker Little, two masters at the height of their powers, at a long-defunct jazz club, on a summer night that will never be forgotten |
10. Duke Ellington |
All Star Road Band |
Doctor Jazz 1957 |
You can go home again - if you used to live in Carroltown, PA |
11. Duke Ellington |
At Newport |
Columbia 1956 |
The night has passed into mythology, the music lives |
12. Bill Evans |
At the Village Vanguard |
Riverside 1961 |
Musical discourse elevated to a great art |
13. Bill Evans |
At The Montreux Jazz Festival |
Polygram 1968 |
You and I should have been there |
14. Gil Evans |
Out Of The Cool |
MCA 1960 |
The most sublime and hypnotic big band jazz album ever made |
15. Tommy Flanagan |
Thelonica |
Enja 1982 |
The very best work of this ultimate accompanist was done in the service of others, but Thelonica is representative |
16. Benny Goodman |
Live At Carnegie Hall |
Columbia 1939 |
"A landmark of recorded music" "a milestone"......... you get the idea |
17. Charlie Haden & Carla Bley |
The Ballad Of The Fallen |
ECM 1982 |
An act of the imagination so fully realized that before it is over, the fallen are all of us |
18. Jim Hall |
Concierto |
CBS 1975 |
In addition to being a masterpiece, this one stone takes care of two additional birds, Paul Desmond and Chet Baker |
19. Coleman Hawkins, Ben Webster, Benny Carter |
Three Great Swing Saxophones |
Bluebird 1929-46 |
Perhaps no other single CD contains so much significant jazz history, and the sound quality is a technological breakthrough |
20. Billie Holiday |
The Verve Silver Collection |
Polygram 1956-7 |
Exceptional sonic quality, immortal accompanists, and the voice that could contain all of the human predicament |
21. Dave Holland Quintet |
The Razor's Edge |
ECM 1987 |
Jazz as perpetually new and sleek and purely competent as next year's Porsche |
22. Ahmad Jamal |
At The Pershing |
Vogue 1958 |
When you keep going back to it over the course of thirty years, it must be more than cocktail piano |
23. Keith Jarrett |
Still Live |
ECM 1986 |
A gorgeous live concert recording of standards that are part of our culture's "tribal language" |
24. Keith Jarrett |
The Koln Concert |
ECM 1975 |
I tried to leave it out, but it just wouldn't go |
25. Michel Legrand |
Legrand Jazz |
Phillips 1958 |
Cannonball, Ben, Miles and an incredible arrangement out of la belle France |
26. Mahavishu Orchestra |
The Inner Mounting Flame |
Columbia 1971 |
Fusion peaked early - about 1971 |
27. Charles Mingus |
Mingus At Antibes |
Atlantic 1960 |
Eric Dolphy, Booker Ervin and wild inspiration on the south coast of France |
28. Hank Mobley |
Workout |
Blue Note 1961 |
The most underappreciated tenor saxophone in the history of Jazz |
29. The Modern Jazz Quartet |
The Complete Last Concert |
Atlantic 1974 |
You've got to have MJQ in the library, and this is the one to have |
30. Thelonious Monk |
Genius of Modern Music Volume 1 |
Blue Note 1947 |
Be present at the creation of, as the title says "modern music" - very modern music |
31. Thelonious Monk |
Monk's Dream |
Columbia 1962 |
Yes it's on Columbia. Yes it's late. Yes it's a masterpiece |
32. Thelonious Monk & John Coltrane |
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Prestige 1957 |
Triumphant synergism |
33. Wes Montgomery |
The Incredible Jazz Guitar of Wes Montgomery |
Riverside 1960 |
It blew everybody's mind then, it'll blow your mind now |
34. David Murray |
Ming |
Polygram 1980 |
Avant-garde radicalism steeped in history |
35. Oliver Nelson |
Blues And The Abstract Truth |
MCA 1961 |
A famous classic that deserves its famous status |
36. James Newton |
The African Flower |
Blue Note 1985 |
Some permanent works of Duke Ellington, nine of the most important players of the 80s, and an exalted level of creativity |
37. Charlie Parker |
The Savoy Recordings, Master Takes Volume1 |
Savoy 1944-8 |
None are quite right, but you've got to have one Bird |
38. Joe Pass |
Virtuoso |
Pablo 1974 |
For guitar players, listening is instant humility |
39. Art Pepper |
Art Pepper Plus Eleven |
Mobile Fidelity 1959 |
As perfect as improvised jazz ever gets, recorded by the greatest engineer of his era, Roy DuNann |
40. Art Pepper |
Winter Moon |
Fantasy 1979 |
You should have one with strings, and this is perhaps the most satisfying jazz album with strings ever made |
41. Oscar Peterson |
Nigerian Marketplace |
Pablo 1981 |
How to choose one from an output so enormous and so consistently excellent |
42. Michel Petrucciani Trio |
Live At The Village Vanguard |
Concord 1984 |
Piano trio jazz like music of the spheres |
43. Bud Powell |
The Amazing Bud Powell Volume1 |
Blue Note 1949-52 |
Sit rapt in the presence of inexplicable genius |
44. Don Pullen |
The Sixth Sense |
Black Saint 1985 |
No one very famous, just consistent compositional and improvisory excellence on the near fringe of the avant garde |
45. Sonny Rollins |
Saxophone Colossus |
OJC 1956 |
The art of the saxophone has not evolved much beyond this point in time - 1956 |
46. Horace Silver |
Blowin' The Blues Away |
Blue Note 1959 |
The actual unadulterated truth |
47. Art Tatum |
The Best Of Art Tatum |
Pablo 1953-5 |
It's monumentally presumptuous for a single disc to make this title's claim, but it is anyway |
48. McCoy Tyner |
Double Trios |
Denon 1986 |
From Tyner's awesome body of work,pick the one of the top four or five that is the best recorded |
49. Ben Webster |
Stormy Weather |
Black Lion 1965 |
There's not a lot on CD under his own name, and this is really how he sounded |
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Revised in CD Review Best Of Music 1992 |
Winter 1992 |
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+1. Miles Davis |
The Complete Concert 1964 |
Columbia 1964 |
[This concert] may not be Miles' greatest concert, but it is the greatest concert ever recorded |
48 Revised. McCoy Tyner |
New York Reunion |
Chesky 1991 |
McCoy and tenor guru Joe Henderson at the top of their respective games, and sonic quality that really is (I apologize for the phrase) state of the art |
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[Once you get the basic library together, you should treat yourself to a couple of those boxed collections...] |
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Boxed Sets mentioned |
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1. Art Pepper |
Complete Galaxy Recordings |
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2. Miles Davis |
Complete Prestige Recordings |
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3. Bill Evans |
Complete Riverside Recordings and Complete Fantasy Recordings |
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4. Thelonious Monk |
Complete Riverside Recordings |
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Mosaic Records mentioned |
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Chet Baker (live and studio with Russ freeman), Paul Desmond (with Jim Hall), Cecil Taylor (on Candid), Gerry Mulligan (with Chet baker), among others... |
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Artists with Desert Island Discs Not Available to Conrad in 1992 |
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Tadd Dameron (with Fats Navarro on Blue Note?), Woody Shaw (the Columbia dates?), Booker Ervin (the "Books" on OJC?), Akiyoshi/Tabackin Band (one of the RCA albums?) |
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